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TOM MORIN

Press Release
Tom Morin
Mystical New Mexico
June 18 - July 2, 2010
(click on PHOTO to view Press Release) |
Tom Morin began making sculpture at an early age. He had his first one man exhibition at the Margaret Brown Gallery in Boston in 1954. He had just turned 20 and was a junior at the Massachusetts College of Art. The pieces were reliefs with found objects embedded in plaster with true fresco. The gallery also represented David Smith and Alexander Calder. Collectors who purchased works included Stanley Marcus and Nathanial Saltonstall. Upon graduation Tom entered the graduate program at Cranbrook Academy of Art in Bloomfield Hills Michigan where he completed his thesis in one year and was asked by President Zolton Sepheshy to return and teach the sculpture minors. During this period he had a one man show at Gallery Four in Detroit. He was featured in shows at the Fitchburg Museum of Art, “Ways and Means” in Houston and “Young Sculptors” at the Rhode Island School of Design Museum of Art.
His next teaching assignment was to develop and head the sculpture program at Silvermine Guild of Artists in New Canaan, Connecticut. It is here that he met and became friends with David Smith, William Zorach and Ruben Nakian. During this period he exhibited in numerous galleries and museums including the Boston Museum of Fine Arts (where he had been a security guard in the summer of 1953). His first one man exhibition in New York was at the Jill Kornblee Gallery in 1958 and, 1960.Collectors included the Virginia Museum of Fine Arts in Richmond.
In 1960 Tom Received a Fulbright scholarship to study art foundry casting in Florence, Italy. Before he left the states he was offered a position teaching sculpture at the Rhode Island School of Design when he returned which he accepted. Four years later when again in residence in Italy a cast iron sculpture titled “The Rub” was selected to be in the 1964 Whitney Annual exhibition in New York.
Upon his return to the states in 1961 Tom assumed his teaching responsibilities at RISD where for nine of the next 18 years he would become Head of the Department of Sculpture, Ceramics, Glass and Metalsmithing. Dale Chihouly was his graduate student. During this time he exhibited widely at museums such as the DeCordova Museum in Lincoln, Massachusetts and the Wadsworth Athenaeum in Hartford, Connecticut. Tom had two one man exhibitions at the Kanegis Gallery in Boston in 1963 and 1965.
Tom was responsible for designing and building a state of the art foundry at RISD; procuring the third largest collection of rare wood in the country as a donation to the furniture major at the college. He was also elected the first faculty member of the Board of Trustees.
As Tom became more involved in the governance of the college serving as the chairman of the faculty meetings, he looked to a more significant involvement in higher education. When he became chairman of the Department of Art and Design at the University of
Akron in 1979 he was exposed to the issues and challenges of leadership in colleges of art in the country. Tom served as a National Association of Schools of Art and Design accreditation evaluator of degree programs at some 19 colleges and universities. Among them were Pratt Institute, the School of the Art Institute of Chicago, Syracuse University and Massachusetts College of Art (where he was a student 1952–1956). His professional career and studio work continued with exhibitions throughout the Midwest and the East coast.
Tom’s sculpture changed dramatically when he realized he was limiting his ideas and content to the influence of metal casting as a medium. His new sculpture featured highly polished and symmetrical images using a variety of materials that better conveyed his ideas. He incorporated glass, extruded aluminum, plastic and fiberglass which gave the works a different but vital impact.
A later series and a drastic change from these works was the use of materials that had karma or a previous life: natural patina on metal, used or worn cloth, etc. The series’ compositions were influenced by the proportions of Japanese scrolls. These works were titled “Icons of Erotic Pageantry and Celebration”. These works were exhibited sparingly.
In 1983, Tom was appointed Vice President and Dean of Academic Affairs at the Minneapolis College of Art and Design. At that time his discovery of an unorthodox sculpture material became the medium of choice for the next 26 years. The potential of used sanding belts and discs with their remarkable colors from the resin of exotic woods imbedded in the abrasive was realized in several series of works. Tom now gets the belts from National Geographic, Norton abrasives, 3-M, custom wood companies and furniture makers. Living in and influenced by the New Mexico landscape he works include the New Mexico Mesa series, New Mexico Sky Window series and the Mystical New Mexico series. Exhibits of this unique high relief sculpture have included Seoul, South Korea and Palm Springs, California. His works are represented in collections all over the world. He is listed in Who’s Who in American Art and Who’s Who in Higher Education.
Tom Morin lives in an old mining village in New Mexico

Education
Cranbrook Academy of Art, Bloomfield Hills, MI
Master of Fine Arts in Sculpture
Massachusetts College of Art, Boston, MA
Bachelor of Science in Education
Selected Private and Corporate Collections Virginia Museum of Fine Arts, Richmond, VA
Mitchell Museum, Mt. Vernon, VA
Cranbrook Academy Museum of Art,
.....Bloomfield hills, MI
Texas Christian University, Fort Worth, TX
Providence Athenaeum, RI
New York University, Oneonta, NY
Brown University, Providence, RI
Mr. and Mrs. Lee Berk, SF, NM
Mr. Donald McLaughlin and Mrs. Sharon Ettinger
.....Mc Laughlin
Mr. John M. McCuster, SF, NM
Mr. Stanley Marcus, Dallas, TX
Mr. and Mrs. Hudson Walker, CT
Museum of Art, Harvard University, Cambridge, MA
Mr. and Mrs. Albert List, Bryan, CT
Mr. Nathaniel Saltonstall, Boston, MA
Mr. and Mrs. William Gillian, London, England
Mr. and Mr. Hugo Noferini, Florence, Italy
Mr. Mark and Mrs. Eva Siegrist, Switzerland
Mr. John and Beth Neidel, Santa Fe, NM
Ms Pat Rea, Van, WA
Mrs. Cheryl Ward, Toronto, Ontario, Canada
Mr. Ian Lang, New York, NY
Mr. James Cassidy, Columbia, MO
Mr. Claude Esmein, Balma, France
Holigraphics Inc. Providence, RI
Yankee Inc., New York, NY
Interlake Corporation, Chicago, IL
American Tube and Control (Amtrol), Warwick, RI
Grants and Awards
Fulbright Scholarship, Florence, Italy
Tiffany Grant, Studio Sculpture
Grand Prize, Rhode Island Art Festival
First Prize and Purchase Award, Invitational, .....
.....Ogunquit, ME
First Prize, New Haven Art Festival, CT
First Prize, Rhode Island Art Festival
First Prize, New Haven Festival of the Arts
Second Prize, New Canaan Art Festival, CT
Second Prize, New England Annual Exhibition,
.....New Canaan
First Prize and Best in Show, New England Annual ..... .....Exhibition
Listed in Who’s Who in American Art and
Who's Who in Higher Education
Please contact us for other available works
info@jsauergallery.com
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Thomas Morin
Mystical New Mexico
June 18 - July 2, 2010
PROCESS STATEMENT
For the past 23 years Tom Morin has been working in an unorthodox material. The use of discarded sanding belts has provided a rich pallet of color derived from the embedment of wood resin, pewter and aluminum. The plastic backed belts will not shrink or warp and the color is permanent. Tom cuts selected strips from the 54’ belts and inlays them on kiln dried wood armatures to create unique compositions. These high relief sculptures are in series from the New Mexico and Sky Window Series to the India and Cerrillos Relief Series. Tom is the only sculptor working in this medium and has had exhibitions in Asia, Europe and throughout the United States.
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SPIRIT ICON SERIES
The Spirit Icon Series began when I returned from an Earthwatch expedition in a small rural village in the state of Orissa, India. My contact and experience with the people, their belief systems and rituals left a profound impression on me and the content of my art. The village annually celebrates their social, political and religious history through a festival called the Dana Nata. The relief sculptures celebrate and visually document the spirit and joyous atmosphere felt during the ritual offerings and performances.
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.................................................................................Details
SPIRIT ICON SERIES "NUMBER 12"
Thomas Morin
Abrasive sanding belts, discs, wood
30" x 17" x 3"
$2,750

SPIRIT ICON SERIES "NUMBER FIFTEEN"
Thomas Morin
Abrasive sanding belts, discs, wood
33" x 19" x 3"
$2,750

SPIRIT ICON SERIES "NUMBER SIXTEEN"
Thomas Morin
Abrasive sanding belts, discs, wood
30 1/2" x 17 3/4" x 2 1/4"
$2,750
SHIELD SERIES
The shield has two sides and is both a physical and metaphorical barrier at first glance. It seems to be an obstacle between two people and communities. But rather than separating them it draws them closer together. Understanding that it can be a border rather than being an obstacle it can create common ground between both sides. This can lead to an appreciation of other cultures and the beauty of difference. The use of "Tribal" in my high relief sculptures refers to all groups of affiliation; political, religious etc
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SHIELD SERIES "VILLAGE SHIELD"
Thomas Morin
Abrasive sanding belts, discs, wood
58" x 24" x 8"
$6,400
TRIBAL RUG SERIES
In the Tribal Rug Series I raise the pattern designs to high relief to make them come alive. Sculpture lives because of light and shade. The symmetry of some of the pieces creates a meditative quality. The series metaphors reflect the weaving, fabric and symbols of artifacts that pervade our cultures and land. The “sand” quality of my medium is the desert and the colors are that of the mesas. The reaction of viewers range from experiencing visual poetry to mystical artifacts.
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TRIBAL RUG SERIES "NUMBER FIFTEEN"
Thomas Morin
Abrasive sanding belts, wood
48" x 39" x 3"
$6,400
NEW MEXICO SKY WINDOW SERIES
The Land of Enchantment has many endearing qualities, which enrich our experience of the land. One of them is the large sky that seems to envelop us. The horizon varies through out the state but what is held in common is the ever changing color of the sun setting, reflecting, illuminating and silhouetting the desert and mountains. Memorable experiences remain in our sub consciousness. The Sky Window Series seeks to capture the moment in an impressionistic view inserted into a larger sky. The works evoke memories that remain with us long after the experience.
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NEW MEXICO SKY WINDOW SERIES "NUMBER TEN"
Thomas Morin
Abrasive sanding belts, wood
21" x 32" x 1"
$1,800

NEW MEXICO SKY WINDOW SERIES "NUMBER ELEVEN"
Thomas Morin
Abrasive sanding belts, wood
21" x 32" x 1"
$1,800
NEW MEXICO MESA SERIES
The Land of Enchantment is especially memorable when the ever-present sun begins its decent over and beyond the horizon. The reflection on the mesa, the desert and the sky present a visual panorama of unfolding, breath taking awe. The experience varies widely, from bursting color to subtle variations. They lead the viewer into realizing the depth and distance of the horizon. As the seeming loss of light rewards us with a multitude of stars, we realize this performance will repeat itself again and again. The Mesa Series seeks to capture the different moods of the landscape. No two are alike as with the ever-changing sky.
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NEW MEXICO MESA SERIES "DAY'S END"
Thomas Morin
Abrasive sanding belts, wood
15" x 19" x 2"
$1,500

NEW MEXICO MESA SERIES "MESA MIRAGE II"
Thomas Morin
Abrasive sanding belts, wood
13" x 20" x 2"
$1,400

Storm Over Ghost Mesa

Detail
NEW MEXICO MESA SERIES "STORM OVER GHOST MESA"
Thomas Morin
Abrasive sanding belts, wood
24" x 44" x 1"
$3,200

NEW MEXICO MESA SERIES "DUSK MESA II"
Thomas Morin
Abrasive sanding belts, wood
11" x 18" x 2"
$900

NEW MEXICO MESA SERIES "RED SKY MESA"
Thomas Morin
Abrasive sanding belts, wood
12" x 20" x 2"
$1,400

NEW MEXICO MESA SERIES "BLACK RIDGE MESA"
Thomas Morin
Abrasive sanding belts, wood
15" x 19" x 2"
$1,500

NEW MEXICO MESA SERIES "BLACK MESA"
Thomas Morin
Abrasive sanding belts, wood
13" x 20" x 2"
$1,400

NEW MEXICO MESA SERIES "MELODIC MESA"
Thomas Morin
Abrasive sanding belts, wood
13" x 20" x 2"
$1,500

NEW MEXICO MESA SERIES "MYSTIC MESA"
Thomas Morin
Abrasive sanding belts, wood
11" x 22" x 2"
$1,400
SOLD ARTWORKS

SHIELD SERIES "SHIELD WITH RED/ORANGE CENTER"
Thomas Morin
Abrasive sanding belts, discs, wood
27 1/2" x 20" x 2 1/2"
$1,700
SOLD

NEW MEXICO MESA SERIES "CLOUD MESA"
Thomas Morin
Abrasive sanding belts, wood
11" x 21" x 2"
$1,400
SOLD

SPIRIT ICON SERIES "NUMBER FOURTEEN"
Thomas Morin
Abrasive sanding belts, discs, wood
33" x 29" x 7 "
$2,750
SOLD

NEW MEXICO MESA SERIES "RED MESA"
Thomas Morin
Abrasive sanding belts, wood
18" x 42" x 2"
$2,400
SOLD
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